Search results
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Title
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Leung Chi Wo 1: Clip 1
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Keyword
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Narrative, Memory, History, Editied Truth, Power, Personal, Collective, Objects, nostalgia, Commercialization, Commodification
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Date
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2018-03-12
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Description
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In this audio recording, Leung Chi Wo addresses the complex relationship between history and memory in Hong Kong’s past. He acknowledges both the importance and the potential difficulty of object-based presentation, and discusses how he counteracts the problem of the commercialization or commodification of the nostalgia of such objects.
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Title
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Leung Chi Wo 2: Clip 2
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Keyword
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Multiplicity, Physicality, Architecture, History, Reincarnation, Hong Kong, Urban Development, Development, Land Reclamation, Preservation, Political Change, Power, Water, Memory, Victoria Harbour, Migration, Photography
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Date
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2018-03-12
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Description
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In this second part of the interview, Leung Chi Wo discusses the connection of architecture and localized history as an agent for his artwork. He then comments on the evolving and shifting coastline of Hong Kong, and how the pace of urbanization tends to overlook the historical context of the land—engaging with the complex relationship between urban development and preservation.
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Title
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Wayde Compton Clip 2
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Keyword
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Government, Land, Law, Power, Language, Power, Ecosystems, Colonialism, Instability, Construction
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Date
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2018-01-28
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Description
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This second clip starts by discussing the instability of space and land. The conversation then shifts to discuss the different forms of discourse used to describe particular spaces, and the implications of such language use.
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Title
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Wayde Compton Clip 3
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Keyword
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Ecosystem, Land, Law, Power, Language
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Date
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2018-01-23
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Description
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This section of the interview starts by discussing the way Compton integrates multiple genres into his works. The conversation then ties in the topic of genre theory with a discussion of discourse and language use.
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Title
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Wayde Compton Clip 4
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Keyword
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Advertisement, Language, Power, Manipulation, Government
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Date
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2018-01-23
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Description
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In this final clip of the interview, Compton discusses the nature of the conclusion to The Outer Harbour. It then shifts to a discussion of land claims and diasporic and Indigenous politics, and the experience of writing within such a political landscape.